pikeisaman
“Spock always played against type. He was supposed to be cold and logical, but he ended up being funny, angry, passionate, loyal, dangerous—even, from time to time, seductive. The same was true of Nimoy. It was a great pleasure to see an actor you’d loved for so long branch out in such surprising ways, writing poetry, recording (terrible) albums, publishing (beautiful) photographs, directing “Three Men and a Baby.” He was always recognizable, with his rich voice, craggy face, and gentle manner, even as he explored new enthusiasms. Some people seem to transform through life, throwing off older, outdated versions of themselves. Nimoy set a different example: he grew, in a slow, natural, and unpretentious way, more capacious.”
— “Postscript: Leonard Nimoy”, in The New Yorker






