The crew’s banner is a sacred thing. It must simultaneously strike fear in the hearts of hardened men while inspiring and unifying all those those who sail under it. It must be something approaching perfection.
Black Sails | 2.05
The crew’s banner is a sacred thing. It must simultaneously strike fear in the hearts of hardened men while inspiring and unifying all those those who sail under it. It must be something approaching perfection.
Black Sails | 2.05
vane and flint would've had insane beef if they were modern day anarchists though ill give you that. theyre not talking politics on twitter since they are terrorists but i promise you vane is the one who told everyone flint used to be a cop AND fucking a billionaire which makes flint so fucking mad bc vane's hypocrite ass is literally still pussywhipped by champagne socialist eleanor
i know we talk a lot about toby schmitz’s excellent delivery of some truly wonderful dialogue, but truly nothing will ever top this line from season 1
—it’s a story about a guy standing on a rock in the middle of the ocean shaking his fist at civilisation, and that eventually he started to make that mean something, and terrify them, and win | Jonathan E. Steinberg
Luke Arnold on the final scene between Silver & Flint, lightly edited for clarity:
I don't think the rage was what was so scary. [Silver] said he recognized the rage in himself. He saw it there and I think the deflation—he had that. He was like, "I want to see the world burn," and then after it, the moment Madi is back, it’s like, "Oh, that was...God." He got a glimpse, and even if he doesn't still see Flint is completely that, he got a window into it that he wouldn't have otherwise. For me, it wasn't that he thought it was rage at the end, which is why this needed to be stopped. The scariest thing for him was that Flint forgave him. That he was that stubborn. That he was that immovable, and whether it's about rage or not, once again, I think that Flint's clarity of like, “It's fine, we’ll put it back together." Like, that’s freaky.
I think that was what was scarier. And by the end I think he no longer could see through Flint's eyes the way he did before, see the hope in humanity, that if you screw it all up and burn it down, that basic human decency will build something better. He could no longer see the ideal, you know, Flint's ideal and Thomas Hamilton's ideal, this whole thing that had been there, that was driving Flint. So that was gone, which is where that opaqueness, I think, came from, but I still think what he saw so clearly was just this would never stop. That whole idea that Flint would take an oar and walk until someone mistook it for a shovel. I mean, that died, too.
He was still hoping for that world, and so I think that's where [Silver] saw [Flint] very clearly at the end. He’s just going, "Well, if me sending men to kill you and turning on you so completely cannot shake you from the way you see this happening, I don't think you're seeing this clearly anymore."
(Source: Fathoms Deep, episode 59)
Louise Barnes as MIRANDA BARLOW
BLACK SAILS 2.05 | XIII