#Bryan Fuller

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“At the very beginning of the season, Mads comes up and he says, “I think Hannibal should be much more active and I’m really good at fight scenes, so if you write one, I will nail it.” And I was like, “Okay, great, we’ll write one.” And he did a fight sequence – all of the stunt choreographers were like, “Oh, my God, this guy is better than anyone that we’ve ever worked with like this.” His experience as a dancer really helps. He has such control of his instrument and his body, so he really is somebody that you want to see in an action sequence.” – Bryan Fuller

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The fourth show I created homoeroticised the Hannibal Lecter character from the Thomas Harris novels but it didn’t exactly homosexualise him. But there was almost a kiss before he fell into the sea with the man he loved. Close but no cigar. And sometimes the cigar is a penis and in this case it was Hugh Dancy’s penis.

Bryan Fuller - Outfest 2017 (via fragile-teacup)

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Bryan Fuller - Outfest 2017 (via fragile-teacup)

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Bryan Fuller’s origin story

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One of the questions at the American Gods Bard QnA wss, “Who is Bryan?” (To be fair, this was billed as a Neil Gaiman event at the university at which he’s a professor.)

Bryan explained he grew up in a small, rural Washington town where there was serial killer on the loose killing children.

To which Neil said, “You are the only human being I know who has an origin story.”

The serial killer in question was the Snake River Killer. details

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I mean. Somehow that is completely unsurprising. Of COURSE Bryan has an origin story.

Bryan Fuller
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startrekgeneral:
“ So the teaser trailer for the next Star Trek series dropped today at CBS Upfront.
Most of the content coming from my Tumblr is bullshit, but here are some important and real quotes from Bryan Fuller, the showrunner of the next Star...
startrekgeneral

So the teaser trailer for the next Star Trek series dropped today at CBS Upfront.

Most of the content coming from my Tumblr is bullshit, but here are some important and real quotes from Bryan Fuller, the showrunner of the next Star Trek.

Bryan Fuller on writing for Star Treks shows:

When I was watching Deep Space Nine– I think it’s one of the best incarnations of Star Trek, and I have affection for all of them, but Deep Space Nine has a very special heart because I think they were primarily character-based, more than any of the other shows. And I think Next Generation at its peak was some of the best television that has ever been, but Deep Space Nine spoke to me on a more intimate level. And I’m not sure what it was, but I just understood the math of storytelling, because storytelling is mathematics. Like, you have to build, and you have to subtract, and divide, and there’s all sorts of math to telling a story, and it just clicked.
They let me into the writers’ room, and it was Ira Behr who was like “Okay, we’ll give this guy a chance and he can be in the writers’ room.” And it was interesting to be in a writers’ room for the very first time. And what was great about the Deep Space Nine writers’ room was that they were all fans of Star Trek and you were with people who loved the program, whereas on Voyager there was sort of an attitude of you know, [disgusted] “It’s Star Trek” and all, you know. And I was just like “What are you talking about? You’re lucky to be here.” So Deep Space Nine were the fans and then Voyager was a little bit of like, you know, “We’re better than this” and I was like “No you’re not. None of us are.”

Bryan Fuller on running Star Trek shows:

I had been on Voyager for four seasons, and, you know, Voyager was an interesting job because there was this fraternity at Star Trek. That was a very interesting experience– my mind doesn’t work well in those situations. And so I was always a little jealous that I didn’t get the job– ‘cause there was a job on Deep Space Nine and there was a job on Voyager, I was like “Please, God, let me get the Deep Space Nine job.” And I got the Voyager job, which was a slightly less supportive community than Deep Space Nine was, there was an installation of fear. And there was also– the show is what the show is. And on Deep Space Nine, Ira Behr was a very visionary showrunner. So when the executive producer Rick Berman would be like “I don’t like that idea” he’d be like “I don’t care. This is what we’re doing and this is why we’re doing it.” Where on Voyager we had so many great ideas for that show that were thrown out, and then it was just sort of like okay, it’s fait accompli, the idea’s dead, and I was like “Ira would have fought for that shit.” So on Voyager, toward the end, I was getting a little frustrated with how non-human everybody was. Because I’m like “They’re facing the Borg, they’re gonna be sitting in their own stool.” There’s no kind of reality to the human emotion of it. And that grew very frustrating for me because I didn’t know how to write it, I didn’t know how to write just purely technologically or informationally. And so I was like, “What’s a show that I want to watch?”

Reading these should help give a clearer picture of what Star Trek 2017 will be like.

Most of the Internet doesn’t know that these quotes exist, so please signal boost by reblogging for all your followers to see.

Source: This link to a Nerdist podcast.

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