J'en ai fini avec l'ancien monde, et je prépare le nouveau.
10 Caps from Bunker Palace Hotel (1989) directed by Enki Bilal
One of those “Today I Learned” things. The creature Molasar, from 1983 fantasy horror THE KEEP, was designed by French comic book artist, Enki Bilal. (Another HEAVY METAL magazine heavyweight—there is a big tome to be written on the influence of French comic art on Hollywood—Métal hurlant in particular.)
I first learned of the name Enki Bilal in a Dutch book on comic book history. I was 7 or 8. Each name was new to me, each one a world to be explored. Bilal came after Barks—and whenever I looked up Barks, which I did a lot, I came across Bilal, who was featured with one of his illustrations from his 1982 portfolio, DIE MAUER (The Wall) (last image). As a wee kid, I thought the art was weird and off-putting, but intriguing, and I didn’t forget it. A similar concept of people trapped in walls appears in THE KEEP by the way; and Bilal’s influence on the film reaches a bit further even, as he also designed its poster (image 4).
I should also mention that Tangerine Dream did a wonderfully sinister and atmospheric score for THE KEEP: an evocative 80s soundscape.
J'en ai fini avec l'ancien monde, et je prépare le nouveau.
10 Caps from Bunker Palace Hotel (1989) directed by Enki Bilal
You can feel Enki Bilal’s aesthetics coming out through this
La Foire aux immortels
Bilal
Enki Bilal
Immortel Ad Vitam
I speak aloud and travel inside myself searching
I search for life for a while – I stand in place…
Tintin chez Bilal
Somon
Le Mur
Enki Bilal