She can't vocalize it, so I couldn't ask the character to. And if you did crack open Irene's head and asked her to give a monologue, I think it would be a lot of lies, honestly. [...] The only way to do it filmically, to try and let the audience slowly realize the subtlety of what's going on, is to drip-feed them these gestures. Hands, longing, how Irene perceives the world, the fuzziness of it, the unreliability of it, then of course the black and white, which is the biggest irony of all, because nothing is ever black and white.
Tessa Thompson & Rebecca Hall Break Down the Dance Scene From 'Passing' | Vanity Fair









