#SPOT ON

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In Sleepy Hollow season 2, I interviewed the showrunner in the middle of season 2, when it was basically a dumpster fire at that point, and I said to him, ‘Katrina is like, literally within your narrative a useless character. She tried to do magic one and she fainted. What is the point of Katrina?’

And he said, ‘Well Katrina is a strong female character.’


And I just felt like saying, ‘Sir, that is not a magical incantation that protects your narrative from charges of being…CRAP.’

Maureen Ryan, Televerse Podcast #236, Special Segment: The 100’s “Thirteen” and Traumatic TV Character Deaths with Mo Ryan (via chiltongirlsdoitbetter)

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Scully: Why did they assign me to you in the first place, Mulder? To debunk your work, to rein you in, to shut you down.

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The best love scene that technically isn’t even a love scene.

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#I love her face here because this is literally the first time she’s heard those words # like she’s fought for a desk and doesn’t even have her name on the door #so it’s easy for her scientific brain to rationalize that he doesn’t need her #it’s all about him, she knows, even if she said it wasn’t #he’s the one that matters-it’s his quest and she’s just a tag along #except she’s not # this is the first time Mulder really laments that he needs her and she can believe him #he walked after her when she tried to ditch, thinking she was never important #he needs her and her face in the last pic, when she finally realizes this is just one of the best things in the fandom, I think #in that scene, just from their faces you can see how far they’ve come and where they’re going

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