Can I ask what this is about?
I have something of his. 
And that would be? 
A million dollars.  

DRIVE
2011 | dir. Nicolas Winding Refn

If I drive for you, you get your money. You tell me where we start, where we’re going, where we’re going afterwards. I give you five minutes when we get there. Anything happens in that five minutes and I’m yours. No matter what. Anything a minute on either side of that and you’re on your own.

DRIVE (2011)
dir. Nicolas Winding Refn

DRIVE
2011 | dir. Nicolas Winding Refn

DRIVE
2011 | dir. Nicolas Winding Refn

♪ I’m giving you a night call to tell you how I feel
I want to drive you through the night, down the hills
I’m gonna tell you something you don’t want to hear
I’m gonna show you where it’s dark, but have no fear ♪

Ryan Gosling in Drive
2011 | dir. Nicolas Winding Refn

             ...hundred thousand streets in this city,
             you don't need to know the route. You give
             me a time and place, I give you a five
             minute window. Those five minutes I'm
             yours. Whatever goes down I'm yours. Minute
             either side you're on your own...
                         
             ...One last thing. You won't be able to
             reach me at this number again...

ᗪᖇᎥᐯᗴ
2011 | dir. Nicolas Winding Refn

Oscar Isaac in Drive (2011) dir. Nicolas Winding Refn

Drive (2011), dir. Nicolas Winding Refn

The scorpion was a visual representation of the scorpion and the frog fable. Yet there’s obviously this emotional side to Driver that makes him not only fall in love, but be willing to make a sacrifice. Making that sacrifice is sort of done by making the scorpion side come out. And the scene in the elevator is a turning point: There’s no going back. There’s no, ‘That’s not really me.’ She sees a side that had to come out in order to protect her, and she can’t embrace it. He knows she’ll never embrace it, and their relationship will stay one of sacrifice. Framing the scorpion without his head, it shows you that it will be the controller of his destiny.

— Newton Thomas Sigel, ASC